Picture of Dorian Gray - Oscar Wilde (Paperback)
Description
Experiments with the notion of sin as an element of design. This novel is a puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence.
Product Details
- Barcode
- 9781853260155
- Department
- Books
- Released
- 5 May 1992
- Supply Source
- UK
Book
- Authors
- Oscar Wilde
John M. L. Drew (Contributor)
John M. L. Drew (Introduction by)
John M.L. Drew (Introduction by)
Keith Carabine (Editor)
Keith Carabine (Series Editor)
Dr Keith Carabine (Series Editor)
Dr. Keith Carabine (Series Editor)
- Binding
- Paperback
- Publisher
- Wordsworth Editions
- Series
- Wordsworth Classics
- Language
- English
- Number of Pages
- 224
- Dimensions
- 199 x 132 x 12mm (154g)
Annotation
The handsome appearance of dissolute young Dorian Gray remains
unchanged while the features in his portrait become distorted as
his degeneration progresses
Summary
With an Introduction and Notes by John M.L. Drew, University of
Buckingham.
Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design.
Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.
Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design.
Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.
Fiction
- General Subject
- Literature/Classics
- BISAC Subject 1
- Fiction / Classics
- BIC Classification 1
- Classic fiction (pre c 1945)
- Dewey Classification
- 823.8
- Readership
- General (US: Trade)