William Blake - Maria Antonietta Terzoli (Hardcover)
The Drawings for Dante's Divine Comedy
Product Details
- Barcode
- 9783836564984
- Department
- Books
- Supply Source
- UK
Book
- Subtitle
- The Drawings for Dante's Divine Comedy
- Binding
- Hardcover
- Publisher
- Taschen America Llc
- Language
- English
- Number of Pages
- 400
- Dimensions
- 196 x 140mm
Summary
Imagination Ablaze
William Blake’s spectacular illustrations to The Divine Comedy
Celebrated around the world as a literary monument, The Divine Comedy, completed in 1321 and written by Dante Alighieri (1265–1321) is widely considered the greatest work ever composed in the Italian language. The epic poem describes Dante’s journey through Hell, Purgatory, and Heaven, representing, on a deeper level, the soul’s path towards salvation.
In the last few years of his life, Romantic poet and artist William Blake (1757–1827) produced 102 illustrations for Dante’s masterwork, from pencil sketches to finished watercolors. Like Dante’s sweeping poem, Blake’s drawings range from scenes of infernal suffering to celestial light, from horrifying human disfigurement to the perfection of physical form. While faithful to the text, Blake also brought his own perspective to some of Dante’s central themes.
Today, Blake’s illustrations, left in various stages of completion at the time of his death, are dispersed among seven different institutions. This TASCHEN edition brings these works together again, alongside key excerpts from Dante’s masterpiece. Two introductory essays consider Dante and Blake, as well as other major artists who have been inspired by The Divine Comedy, including Sandro Botticelli, Michelangelo, Eugène Delacroix, Gustave Doré, and Auguste Rodin.
With a close reading of Blake’s illustrations, and many close-ups to allow the most delicate of details to dazzle, this is a breathtaking encounter with two of the finest artistic talents in history, as well as with such universal themes as love, guilt, punishment, revenge, and redemption.
About the series:
Bibliotheca Universalis— Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!
Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Bookworm’s delight — never bore, always excite!
William Blake’s spectacular illustrations to The Divine Comedy
Celebrated around the world as a literary monument, The Divine Comedy, completed in 1321 and written by Dante Alighieri (1265–1321) is widely considered the greatest work ever composed in the Italian language. The epic poem describes Dante’s journey through Hell, Purgatory, and Heaven, representing, on a deeper level, the soul’s path towards salvation.
In the last few years of his life, Romantic poet and artist William Blake (1757–1827) produced 102 illustrations for Dante’s masterwork, from pencil sketches to finished watercolors. Like Dante’s sweeping poem, Blake’s drawings range from scenes of infernal suffering to celestial light, from horrifying human disfigurement to the perfection of physical form. While faithful to the text, Blake also brought his own perspective to some of Dante’s central themes.
Today, Blake’s illustrations, left in various stages of completion at the time of his death, are dispersed among seven different institutions. This TASCHEN edition brings these works together again, alongside key excerpts from Dante’s masterpiece. Two introductory essays consider Dante and Blake, as well as other major artists who have been inspired by The Divine Comedy, including Sandro Botticelli, Michelangelo, Eugène Delacroix, Gustave Doré, and Auguste Rodin.
With a close reading of Blake’s illustrations, and many close-ups to allow the most delicate of details to dazzle, this is a breathtaking encounter with two of the finest artistic talents in history, as well as with such universal themes as love, guilt, punishment, revenge, and redemption.
About the series:
Bibliotheca Universalis— Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!
Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.
Bookworm’s delight — never bore, always excite!
Non-Fiction
- General Subject
- Art
- BISAC Subject 1
- Art / Individual Artists / General
- BISAC Subject 2
- Art / History / Romanticism
- BISAC Subject 3
- Art / Individual Artists / General
- BIC Classification 1
- Art & design styles: Romanticism
- BIC Classification 2
- Individual artists, art monographs
- Dewey Classification
- 709
Author Bio
After studying in Pavia, Bologna and Geneva, Maria Antonietta
Terzoli taught at the universities of Geneva and Zurich. Since 1991
she has been a professor at the University of Basel, where she is
head of the department of Italian Studies. A philologist and
interpreter of literary text, she specializes in Italian
literature. Sebastian Schutze was a longtime research fellow at the
Bibliotheca Hertziana (Max Planck Institute for Art History) in
Rome. He is a member of the academic board of the Istituto Italiano
per gli Studi Filosofici in Naples, and a member of the
Osterreichische Akademie der Wissenschaften. From 2003 to 2009 he
held the Bader Chair in Southern Baroque Art at Queen's University
in Kingston. In 2009 he was appointed professor of early modern art
history at Vienna University.